Skull Aboriginal Art Drawings Sugar Skull Aboriginal Art Drawings
If faux is the sincerest form of flattery, and then artists from cardinal Commonwealth of australia should be feeling fantastic about Damien Hirst's latest works — but instead they're experiencing a mixture of hurt and bewilderment.
The community of Utopia near Alice Springs produces a unique style of dot fine art that is internationally renowned, specially the paintings of the tardily pioneer Emily Kame Kngwarreye.
Now, they're upset to run into a new exhibition by Hirst, the world's most commercial artist, which they believe bears a striking resemblance to their own work.
The provocative British creative person'due south latest exhibition is 24 paintings chosen the Veil series.
Priced from $US500,000 to $US1.7 1000000 each, they were all snapped upward soon later on going on display at the Gagosian Gallery in Beverly Hills.
Hirst held court at the opening party before this month, attended by showbiz aristocracy, wealthy collectors, and a queue of thousands that snaked around the cake.
Inside, Kanye West, Miranda Kerr, Michael Douglas, and movie producer Brian Glazer mingled with leading lights from art and way; David Hockney, Ed Ruscha, Frank Gehry, Tom Ford, Calvin Klein and Vera Wang.
Hirst said the serial was a nod to European fine art, inspired partly by French Post-Impressionists Georges Seurat and Pierre Bonnard.
In Alice Springs, Utopia elder and traditional painter Barbara Weir said she believed she could come across in Hirst's pictures a strong influence of her aunty Polly Ngale, and Emily Kngwarreye — the about successful painter in the history of contemporary Indigenous art.
Ms Weir said Utopia artists layered their work with meaning.
"The painting [we're] talking about has been passed downwardly by Emily's father, the aforementioned with Polly," she said. "It's non a fabricated-upward one, it'south a very of import story."
The Utopia painting style is unique to their desert tradition and rendered on sail in the promise young people will learn virtually their past.
The desert dot paintings are often aerial landscapes painted from memory over many painstaking hours.
Artists are expected to complete each picture show without assistance, and each painter has a distinctive manner.
"It really hurts very much because shouldn't people, if they're artists themselves, they shouldn't be doing something that belongs to someone else," Ms Weir said.
"The one that [nosotros're] talking about is washed exactly like my people's story. It was done by Emily and Polly Ngale. If he did copy that, he had no right.
"It looked too much like Utopia fine art."
Hirst 'inspired by Pointillist techniques, Post-Impressionist painters'
Hirst was unavailable for an interview simply a spokeswoman said the Veil paintings were, "inspired by Pointillist techniques and Impressionist and Postal service-Impressionist painters such as Bonnard and Seurat".
Hirst shot to attention during the Young British Artists movement of the 1990s, building his career past referencing the great international art movements.
He achieved international notoriety when he put a shark in a fish tank and called information technology art. It was an artistic nod to Marcel Duchamp'southward urinal piece, Fountain.
He later had a human skull encrusted with $US40m worth of diamonds and sold it for $US50m.
Hirst has at different times engaged administration to execute his ideas. In 2012 he told Time Magazine he had painted just 25 out of the hundreds of spot pictures that went on display simultaneously in nine cities.
For the Veil series, which grossed an estimated $US18 one thousand thousand, he told The New York Times he painted each work exclusively himself.
Emily Kngwarreye is by any metric Australia's most successful Indigenous creative person. Her vast, 8-metre-long Big Yam Dreaming was a focal point of the Purple Academy of London'due south 2013 Australia spotlight exhibition.
Her piece of work has been displayed in Paris, New York, Tokyo and London, among many other cities, and her works included in the annual Australian Aboriginal art auctions held by Sotheby'due south London.
Twenty years after her death, her work still enjoys commercial success. In July, pop star and avid art collector Elton John sold Kngwarreye's My Country for $500,000 in a high-profile sale.
In December, her Earth'south Creation I achieved a record sale price for a female Indigenous creative person when it sold for $2.1m at auction in Sydney.
'The work is very like'
Ethnic artist and Arts Law Center board member Bronwyn Bancroft said she believed she could see the hallmarks of desert painting in Hirst's new serial.
"I was a piffling chip shocked when I saw them cause I thought they could take been passed [off] as some Utopian work," she said.
"You can't actually copyright manner … [but] in many ways it's what'due south called a moral copyright element.
"[In that location'due south] a moral obligation, I think, on behalf of Damien Hirst to indicate the influence for this last series of work really came from an Aboriginal art movement," she said.
"That's the least that could have been done.
"If you're probably i of the leading artists in the world and probably ane of the best-paid artists in the world, if you tin can't come with an original idea, I think yous must be lacking something."
Hirst'due south spokeswoman said his works were in fact a development of a serial he made betwixt 1993-1995 called Visual Candy.
Bancroft said she believed it was "obvious" Hirst'southward work had been influenced by Aboriginal art.
"What Damien has done in this drove is, the work is very similar to [an] Ancient art movement," she said.
"[He's] an artist of repute and his attribution has simply been to the Pointillist art movement and the Impressionist fine art movement, and no referencing any to the Aboriginal art movement."
Ancient art 'has come up from the desert'
Art dealer Adam Knight said Australia's fragile Ethnic fine art manufacture was the most successful enterprise of Aboriginal communities.
"In the Northern Territory there'south thousands of artists and they don't merely support themselves, they support their extended family networks," he said.
"So it's a significant income generator for the Aboriginal community all across Australia.
Aboriginal fine art "has come up from the desert, from the sand, through dreamings and stories, and that's why it'southward so important," he added. "Nosotros don't desire this sort of matter to happen again or to go along to happen.
"There's cipher wrong with being influenced by Ancient fine art, the Aboriginal people take bang-up comfort in that, but I just feel these are so similar.
"The whole collection that's been released is and then identical to the works I've seen through my eyes over the last 27 years in Aboriginal art."
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Source: https://www.abc.net.au/news/2018-03-29/indigenous-artists-claim-damien-hirst-paintings-similar-artworks/9592578
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